Kobayashi Seiko's Tale of the Heike! I have a feeling we'll get to see the best heaven and hell!
I wasn't worried about Masuda-san on Gochi, but I'm sad that Morishi is graduating 🥲 I saw him in various scenes how happy he was to be a Gochi member, so it's really sad 🥲
I really wanted to see the solo exhibition of the artist who drew the illustration of Mikkun in the Lion's Den.
I thought the amazing thing about the script for Baby Waru was that even though I was genuinely scared of Ikematsu Sosuke, I still found him endearing.
A drama that places too much faith in the beauty of the symbols of beauty, Sato Shori and Takaishi Akari!
The reversal of roles between Koto and Aio, and Koto's final words to Aio are also so beautiful. When Yuzurugi tells Koto that he and Shogo might be similar, "I'm completely different from you!", and the conversation between Shogo and Koto, Koto has always been someone's ideal family, but it's so beautiful to see Koto accept that he is jealous of Mijito.
I finally watched the second half of The Lion's Den. I cried the whole time. I'm so glad I found such a gentle and beautiful work. The story is filled with kindness in every corner, and the ending is so satisfying and satisfying. The contrast between Tachibana Shogo and Komori Koto is heartbreaking and beautiful, and Koto's envy towards Mijito, whom he has sometimes felt was a burden, is heartbreaking and beautiful.
I've been listening to BUMP's Homesickness 2024 ever since it was released on subscription services, and it's truly a masterpiece. Fuji-kun is so kingly when he says, "This is the best night ever! Am I the only one who thinks so? I'm not! Let me hear the proof!" I almost cry every time. I love how kingly Heisei era band members are. That's why I want to follow them.
I'm such a huge M-1 fanatic that after the M-1 I watched a lot of YouTube videos of The Batteries, and even bought tickets to watch the live concert of The Batteries and Evers, so I'm really such a fanatic.